Post Leftcel takes on blackpill movies or otherwise. Here's mine:
The Breakfast Club, or more accurately The Fascist Club. The bully/deliquent/criminal bad-boy, the sport playing jock, the alternate/goth girl and the popular/prep girl all get romantic experiences with each other, yet the only one who does not get romance? The nerd, who is also exploited and gets his labor value stolen by being burdened with single-handedly writing the 'group' essay! The essay that everyone was supposed to work on, instead they do not contribute and just make out with each other like the sexual bourgeois they are. What is this, if not an psychotic open mask-off dictatorship of the sexual bourgeois? The nerd peasant/proletarian is forced to toil and do all the work, single-handedly being the reason they don't get further punishment for not finishing their essay. The nerd also was punished with detention, yet he does not get the same benefits as his sexually-bourgeois classmates. What was his character journey? Was there any self-actualization? Is he supposed to be content with being a single nerd with no romantic life? Is he not a three-dimensional character who breathes and lives and has thoughts and opinions like any other human? Instead, we could assume, is that the hand that wrote that essay will be what keeps him company until his hoe-less death.
Furthermore:
https://abcnews.go.com/GMA/Culture/molly-ringwald-calls-breakfast-club-troubling-rewatching-daughter/story?id=54307841One of the actors from the movie, Molly Ringwald, calls 'The Breakfast Club' 'troubling' after rewatching with her daughter. Because certain scenes/scenarios in the film are actually on some MeToo shit. This famous movie watched and known by millions has MeToo tropes. Yet incels have the bad reputation?
Whoever wrote this film is a bourgeois faggot!
The second film, Just Friends, is about a guy being fat in high school and rejected and friendzoned or some shit, but later he loses weight and becomes a womanizer.
The third film is named The Proposal. It is about a female boss coercing her male employee to marry her so she won't be deported. When you look at it, it is a non-consensual situation, because she is his boss, she has power over him (power-imbalance), he cannot easily refuse in fear of getting fired and losing his livelihood. Furthermore, they work in an office or some shit so that means this promotes petite-bourgeois aspiration/normalization. Spoilers for the ending:
They end up falling in love for real and the marriage is then genuine. What kind of message does this send? That is very MeToo-esque. Imagine if the roles were reversed and/or if the man looked and acted like Harvey Weinstein. It wouldn't be so easily accepted, would it?What kind of message are these movies sending? Is it on purpose? Do you agree or disagree? Discuss.